VEGASinsight Archives

“Spectral Whispers” by Geoffrey Todd Smith, on display now at Main Gallery

For every pessimist (or recent transplant) out there who decries Las Vegas’ standing in the world of art, we have a little news for you: Get over it. Our still-young city has only one way to go in its quest for cultural credibility, and in the last week or two, a number of happenings have moved Vegas ahead quite a few steps.

By now, everyone’s been pummeled to near-death by the news that Art in America named Stephen Hendee’s Centennial Plaza sculpture “Monument to the Simulacrum” one of the Top 10 public art projects in the United States. So we’re not going to spend any more bandwidth on that.

However, the very same magazine, in its October 2008 issue, reviewed Erin Stellmon’s solo exhibition, “Shangri-La,” which held court in Main Gallery (1009 S. Main St.) last February. Main’s current exhibition is “Looking You Up to Look You Up & Down” by Geoffrey Todd Smith. This collection of rhythmic, patterned works on paper by the Chicago artist will be on display throughout October.

And our final note in today’s round-up of “see, we’ve got culture” news comes from the always-informative and sometimes-irreverent CityBlog, which reported Wednesday that the Las Vegas Art Museum will be receiving a donation of 50 works from the collection of Herbert and Dorothy Vogel, which includes such artists as Bettina Werner, F.L. Schroder and Larry Zox. You really need to read this story – it’s a pretty incredible tale of philanthropy and, of course, local art awesomeness.

Both the Las Vegas Weekly and CityLife — Sin City’s dueling “alternative” weekly newspapers — ran tongue-in-cheek nightclubbing “glossaries” in their respective publications this week.

The Weekly‘s went for the throat, taking direct jabs at specific people in the scene with most of the definitions — including (and especially) it’s own staff (i.e., the article’s authors). Specific targets include nightlife photographer Jeremy Womack (“The Womack: any nightclub photo pose that involves a combination of winking, sticking out your tongue and doing something naughty with your fingers”), Weekly nightlife editor Xania Woodman (“Single and Ready to Mingle: Battle cry of the recently divorced or broken-up; a giddy, wild-child phase of personal rediscovery”) and Weekly writer Deanna Rilling (“Pseudosocialite: Someone who works within the industry and has connections with many important people, but doesn’t give a rat’s ass about carrying the latest overpriced handbag or owning a miniature dog”).

CityLife, meanwhile, went for more cerebral humor with its daffy-nitions, broadly painting nightlife stereotypes and concepts. Highlights include “the list” (“The list may also contain ‘phantom’ names, invisible to the eye, but still there according to their owners. I know it’s on there — I talked to Brandon or Brendon or Random or somebody — can you check it again?”), “VIP host, mohawked” (“same as VIP host, but less pleasant, more aggressively scheming, and with an especially troubled history of not having measured up in high school”) and “bottle service” (“a special ‘premium’ service in which patrons agree to purchase … a bottle of high-quality liquor for as much as 20 times the amount they would pay with their VonsClub card”).

Knowing the authors of both articles, it is remotely possible each camp knew of the other’s intentions, though it’s not terribly likely. Still, it was an interesting bit of synchronicity between the two publications. But though we’d usually go with the CityLife‘s more mature approach, I have to be honest here: The Weekly‘s is a hell of a lot more fun. And it has cute illustrations. People love cute illustrations, right?

Note: Thanks to CityLife A&E editor Mike Prevatt for correcting our original assertion that both articles appeared in their respective publications’ nightlife issues. The Weekly’s nightlife issue came out a month after the CityLife‘s.

CityLife, the Las Vegas alt-weekly owned by the decidedly alt-nothing Stephens Media Group (publisher of the Review-Journal), recently launched a new forum for its staffers to unload humorous news commentary upon the unsuspecting public, CityBlog. The blogosphere is not a new territory for the paper — editor Steve Sebelius has ranted in his own CL-hosted blog, Various Things and Stuff, for quite a while now. But CityBlog is the place where all of the publication’s staffers can mind-dump about such topics as politics, nightlife, live music, the Arts District and, uh, necrogasms.

It’s assembled with a somewhat (depending on the writer) tongue-in-cheek tone and uses random photos gathered from the internet to illustrate the sometimes irreverent commentary. We might even add its RSS feed to our Google Reader. But we’ll let you decide what you do with yours. Ahem.

Las Vegas CityLife staff writer and former news editor Matthew O’Brien announced yesterday on his blog that he’ll be leaving the alternative weekly paper after 10 years as a writer and editor for the Stephens Media publication.

“I want to challenge myself more as a ‘creative’ writer,” O’Brien wrote at Beneaththeneon.com. “I want to write more books, screenplays, essays, commentaries, book reviews, etc., and less news stories and news briefs. While I really like reporting, I want to use my own voice more. It’s time for new challenges.”

This announcement comes in the wake of the loss of another long-time CityLife staffer, Kevin Capp, as well as the success of O’Brien’s first book, Beneath the Neon. Released earlier this year, the Huntington Press publication — based on a series of articles originally published in the CityLife by O’Brien and Joshua Ellis — received positive notices all around for its explorations into the lives of the homeless beneath the streets of Las Vegas. The author took an extended sabbatical from his CityLife duties a few years ago to work on the book, which, according to his website, he is developing into a screenplay.